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Showing posts with label SumFought. Show all posts
Showing posts with label SumFought. Show all posts

SumFought:
The Silence
of the Lambs
by Thomas Harris


Immediately after reading Red Dragon by Thomas Harris, I was into the mist of another serial killer case told by Thomas Harris. The Silence of the Lambs, made even famous by the Hollywood thrilling blockbuster, remained a novel of impeccable quality.

The novel centered around Clarice Starling, a still in-training FBI agent, who took on the call-of-duty assignment from Jack Crawford, in the search of a serial killer--"Buffalo Bill", who later abducted Senator Ruth Martin's daughter. Starling first went to visit Dr. Hannibal Lecter, hoping that the infamous cannibal/psychiatrist could help her with the case. During her visits and her investigation, Starling met obstacles on every path. She also met her nemesis, Paul Krendler, who gave her a hard time here and there. Eventually, after much struggle, Starling was told to return her temporary FBI badge and stop her investigation in the case all together. But she did not obey the order and slipped through the crack of time to continue her pursuit of the murderer. Because of her determination, she had found the killer, Jame Gumb by mere luck and old-fashioned door-to-door swept. And then after some more fight with Buffalo Bill, she defeated him and rescued the senator's daughter.

And that's the story. Very much like the book Red Dragon, The Silence of the Lamb's killer also shared a certain similarity, like both are white male who would undress at times, and both had some kind of deficiency.

The scene are vivid to read, cruel to feel, brutal to see. It gives the chill as much as the thrill. Nothing beats an uncensored gruesome description. But that's also what gave the Hannibal series a unique taste, a style of its own. Is it necessary though, I don't know. If the words were replaced by other less impacting, less sensing phases, could it achieve the same heart-pounding effect? Would you try to shut your eyes to avoid reading one word after another, or would you artfully dodge the painful experience?

I like how simple the book is. It has a small circle of characters that are interrelated, they are distinctively different, very colorful and traumatic at times. It's the sorrow and the challenges they face that urged me to push on. I knew they would find a way to tackle the problems, I just don't know how, because I don't know them as much as Thomas Harris do. But the problem-solving is paced at a way that it doesn't feel boring or slow. The book is a brisk read, it is what you read in the book that drag you down.

Character-wise, let me said I kind of miss Will Graham first, I was kind of disappointed when I finished the book without reading the name Will Graham appearing for more than the fingers on one of my hands. But, Clarice Starling had replaced the mighty Will Graham as she dominated the male elements in the story.

Starling, Clarice. She is a tough girl, she knew how to take care of herself. But Hannibal seemed to know her even better than herself. That kind of overpowering control had shaken Starling down at their first meeting. Hannibal came in so strong that Clarice could barely secure her position as a FBI agent.

Maybe it was the confidence Dr. Lecter gave out that shocked Starling. His all-knowing tone and focused gaze frightened her. He said Quid Pro Quo(something for something, an exchange) as if it was his motto, his belief. He gets to know a little bit about Starling while telling her more about the killer. Hannibal seeks a playmate, and he has got one thanks to Jack Crawford.

Jame Gumb, the miserable serial killer who wanted to transform into a female form by stealing skins from girls and stitch all the pieces he had gathered together to form a human skin outfit. That's totally F-up, but nonetheless, disgusting. It's not that it couldn't happened(or hasn't happened) that scares people, is that it is a possibility that someone could and would commit these kind of crime that worries people the most.

A story is a story, but inside a story, reflect the possibility of what the world could be and would be like. It's not a prophecy of the future, or the alarm of the present, or the reflection for the past, but a constructed thesis of the infinity possibility.

While the name, The Silence of the Lambs, is referring to the experience Starling had when living at her relative's barn, it also meant that one's mind would stay unrest unless one solved the problem at its origin. We all had problems, and every problem adds a little bit of pressure on us. The sooner we deal with it, the sooner we could rest and get the relieve. If not, the pressure built up, and it will explode, causing an implode even, if not taken care of.     

And now, I know what the book is like, I am eager to watch the movie in the coming day. I really want to know why the movie is so critically acclaimed, is it better than the books?  

SumFought:
24:
Live Another Day
Episode 5

Episode 5 cleared Jack's name, which have also taken him away from the front line until he was called by the president.

I admire how they squeezed every minutes with tension and contents. The multiple viewpoints at different groups had a distinct profile, which separated them apart for the audience and minimized the confusion. The close-up takes are important and genuine, but the dialogue seemed dull and unstressed, except for the terrorist who was going to destroy London. Nonetheless, the ending with Margot gunning down Navid, shows how determined and brutal the Al-Harazi have became. Her actions is irrational and aggressive in a way that is over complicated. She has the brain to pull this stunt, an eye for an eye. She plotted this drone attack to get back what the US government had done to her husband, and it was very brilliant of her to even come up with such an idea. She must have Googled it, and found out that it was possible to gain absolute remote control of the drone by third parties. What a smart, grieving woman.

Take a look at her daughter, Simone. She is exactly what a monster mother would bring up with. Because of her mother's influence, she suffered deeply. Her actions were based not on natural emotional responses, but by the eyes of her mother. She had no control over herself, and that makes me wonder what did Margot do to her before, way before Margot ordered to cut off her fingers. Margot must have done something way worse than physical abuse to get that kind of supreme regulation on her. I feel sorry for her, she could have be so much more, if she wasn't in a limited environment.

On the other hand, the hackers backing Jack retrieved the data in-time to validate the concreteness of the malicious attack as was initiated by Margot Al-Harazi. And at a later time, they discovered the site that the CIA was raiding had been a set-up, and warned-off the leading agent, thus, saved a few life. Hacker in 24 was presented in both ways. One that fallen into crime because they can do it, and one that aided in solving crime because they want to do it. This distinguished the desire and the ability in the same identity, which was kind of criticizing the hackers who work as hired hands, and encouraging them, or even promoting a mutual cooperation with the government. I'm sure 24 has a hidden political agenda I just ain't seeing yet.

Jack was behind the TV for a good chunk of time in this episode, no close-quarter-combat, no gun-shooting, no difficult choices to make. He seemed to have accomplish most of what he had wished for. The reunion between him and Audrey was brief, but needed. I can't judge Jack. No one should judge Jack. He knows what he's doing, and he's going to stop the attack no matter what.

But Jack isn't that guy who will take a bullet for anyone everytime. He would rather let you die and achieve his goal than getting himself the dying moan. He's that kind of soldier who went to the battlefield to kill the enemies but not to serve the country. And he survived after all these years because he knows it works all the time.

We don't just do what others want us to do. We gotta find what's best for us. It mind be a lame thing to say, but it's true. Only you know who you are and what you are make of, your decisions are yours to make, and the consequences are yours to take. Don't believe me? Believe Jack.

SumFought:
The Listener
Season 5
Episode 1

The Listener is back for another summer ride, though the weather in the episode didn't quite catch up yet.

But, surprise, Michelle has a baby (which skips about 10 months from the season four's finale).

Which, to Toby, is a painful 10 months to beg Tia to move in with him. I imagine it would be an awkward conversation when Toby was convincing Tia without using his abilities. Though I don't think Toby could find a house for themselves by simple emotion reading. He must have used his ability somehow during their house hunting to lock in their favorite.

Anyway, Toby the listener has grown up from the wish-fulfilling paramedic at the hospital, to a man who makes his own decision. But Oz still buzzes around him like a fly that sucks. His ability is in control, seemed much stable and useful than before. He also expressed confidence in his own special assessment of the suspect during his confrontation with Michelle. Toby has grasped the root of his mind reading and he is ready to take on the hard cases.

This episode brought back the occasion for the IIB's elites to gather around in a chatter, with mugs in hands, and jokes in the air. Though it would not be the same soon, as Alvin, the boss-figure of this tiny circle will be departing for Paris's Interpol. Maybe there's potential cross-department collaboration in the near future? IIB at Paris? Michelle would be eager to go there.

Back to the case. The episode starts in an office building with a heavyset female janitor, which is not usual, for Castle's standard. But put it here in The Listener, it just gave away the unique Toronto flavour as developed in the previous four seasons. If The Listener is trying to be the Castle of Canada, then I think season five would be the end of its life cycle.

The Listener was about Toby, the mind reader, attempting to make good use of his ability while maintaining control. He struggled with it and that almost costed his life, more than once. Now he is a veteran mind reader, he knows what he's doing and what he's searching for. He has a goal, he has a team, he has a life with purpose. But that brings him to the critical point of challenging tv production. Should Toby stay as he is right now and continue the episodes progressively with the 'case of the week' style, or focused on his ability and character development.

One thing The Listener did right is involving the innocent child. But they didn't show how much a child is going to impact the story as far as the first episode goes. Michelle is still stubborn to bones, though she showed care for her child, she also splitted her heart to her work. Her dedication in fighting crime has surpassed her love to the child, and that's a messy situation to tackle with.

One thing the Listener lacks right now is a character that has impact on Toby. The relationship between Toby and the people around him seemed to grew with distance the farther he achieved in IIB. Toby coops with these people and they seldom gives him trouble. The only trouble he has right now is how to pass the day and how to catch a criminal. If only he has more trouble. Not just ability-wise, but his life, his friends, people he cares about.

The city is not safe, it will never be safe. Toby can help catch a criminal, but he has no connection to them other than listening to their thoughts. His fellow IIB workers often gave him credit but not the conversation he craved. Oz gives him troubles, troubles that no beers can't solve. Tia is a hidden element. We still don't know how will she affect Toby. More romance? Tia seemed manly throughout the episode. Dominate, playa?

Afterall, Toby is too plain. Toby is honest but hide away while he can. He didn't like the exposure, he wholeheartedly love Tia, he has one true friend named Oz, and his colleagues think of him highly. Please, more trauma, more mind melting troubles. Plain is not drama, plain is just life.

More Toronto flavor, please.

SumFought:
Hannibal
Season 2 Finale
Episode 13
Mizumono

It's still a bit hard to take in. The fact that Hannibal is in a dream at the end. Just pure speculation. Maybe he went to see Dr. Maurier and killed her, while fantasizing going away with her, fancy style.

At the end, I was right about two things.

First, Alana Bloom get more air time than a few of the previous episodes combined, and her encounter with Dr. Lecter had lured out Abigail, who I assume was living in a dungeon somewhere Hannibal had prepared for her, and that Hannibal had been readying her state of mind for psych-manipulation.

Second, Jack didn't die. He survived Hannibal alright. Though the recovery is not going to be easy.

Ever since I've finished reading Red Dragon and The Silence of the Lamb, I can't help notice how ingenious the writing staff of the show are. They had incorporated the world and characters written by Thomas Harris and presented them in a way that's most suitable for Television development. The story may vary her and there, but it's essentially the same, taken from the same root, sending the same message.

To conclude, Season 2 goes something like this:

Jack tried to prove that Will is guilty --> Jack tried to prove Hannibal is guilty --> Jack stabbed by Hannibal

Alternatively:

Hannibal framed Will --> Hannibal unframed Will --> Hannibal cut Will

I'd say the season finale is indeed the most gruesome and exciting ending for a TV show I haven't seen for quite a while. The last one begin Heroes.

The way Hannibal plays with Will and Jack, that he knows everything, that he's in control, gives him the power to frighten even the strongest heart. Hannibal is a monster. He couldn't bare to push Alana Bloom into the edge of desperation, but he could imagine her suffering just as well as being there. He toyed Alana by sending his patron, Abigail to do his bad deed, and that gives him the satisfaction, maybe even better than eating her meat. Hannibal couldn't let Jack go away unharmed without a feast. So feast he did. He made a killing to justify the dinner.

Jack had been pushed into the corner as well. He walked right into the trap for the hunters, and he knew he had been strangled by the snake up to his neck. And the only way he knows how to escape from the situation, is by brute force. He cut his tongue to save himself, not literally of course. Is just that he lies to achieve what Will meant to achieve makes him even less of a man. He's broken. Bella is going away, and things in the bureau is not what it used to be. Jack is playing his last chip. All in.

Will, playing undercover certainly gives him no such thrill. His actions and words undergoes the mighty scanner of Dr. Lecter, and he plays too safe, too calm, too cooperative. Jack pushed him too far. And Will himself didn't know the boundary. He was in Hannibal just as Hannibal was in him. He didn't dream of Hannibal, he didn't dream of Alana, he dreamed of the monster of himself. The worst person we knew is ourselves. We are capable of all the bad deeds and unconventional thoughts, that we, as human being, should cease to exist (sounds like True Detective dude).

Alana, Alana, Alana. She's so beautiful that I couldn't bare hearing her dying moan. I wonder how many takes they took to complete that shot of her drowning into the darkness. Dark liquid engulfed her naked body, that must be really unpleasant. Alana had the courage to face the monster, but she didn't have the preparation. It was blind rage that drove her to the monster. Blind. Hannibal told her to be blind. Maybe Alana will return on Season 3, BLINDE. (Please don't, I did rather see her die and come out as a spirit or some kind, than look into her soulless, or ripped out eye sockets. Because, god, Caroline Dhavernas has such attractive blue eyes.)

Abigail, the twisted girl. People had long been speculating about her chance of still being alive, and man did they placed a long bet. Though Abigail was featured in some earlier episodes this season as Will's fishing mate, her chance of coming out alive was still a X factor.

But now that all the fun had been released by the mad in-house psychiatrist, what's to expect? (X files crossover please, since David Duchovny is no longer Hank Moody in Californication anymore.)

From the book, Red Dragon. Will was contacted by Jack to solve a case, sometimes after Hannibal was locked in the Baltimore State Hospital for the Criminally Insane. However, based on how the show is killing right now, nothing is for certain, except it will return as a killer show again, that's for sure.

I like what they did with the camera and the post production, the effect of the lights, rain, and blood. It's so dark with fluidity, so smooth with transparency. By combining music with the action, Hannibal has inherited the thrill and horror as seen from its predecessors. It's not what I would expect to see in a TV show, because it offers more than visual excitement, but provoking thoughts that hindered us until now.

SumFought:
Orphan Black
Season 2
Episode 6

Tatiana Maslany continues to impress with her interpretation of her surviving characters, or clones. She has done a excellent job in every single episode, and she deserve something better than the current story. Tatiana succeeded in maintaining the diversity in all her clones, she is gorgeous, she is elegant, she is fancy, she is bitchy, she is manly, she is psycho.

Since the opening of the season premier, Orphan Black have been caught in an inevitable mystery waiting to be solved--the five why, the endless question.

And so we are here again with Sarah Manning, running around, poking the hornet's nest, and getting some puzzle together. Is not that we don't want to know the answer to the question of the clone's origin. But by overlaying the whole intensive depression on the story line, Orphan Black is going on a road of no turning back, or going forward.

The ending will be the big reveals, some questions get answered, but the answers carry even more questions. And Orphan Black will entangle itself into a lost circle, an maze without exit.

I don't like the show as much as Season 1. It was the dawn of discovery, the clones carries a weight as an individual entity. Their personality were shown and made a compelling character. And I love about how their separate life collided together, the messy, girly, panicky plan to resolve the huddles ahead.

Now. Now is a completely different story. The flavor of Season 1 was gone, like a human body with the backbones ripped out. It's still a functioning story, but the characters are as good as dead. Only Sarah got to move about, other characters either tail behind her or ambush her.

The lab thing and the origin is a dead man's drop. That's what I will say about Orphan Black at the moment. With 4 episodes left for later air time, I suspect the season finale will also be the end of the Clone Club, if nothing changes in the current affairs.

SumFought:
Black Sails
Season 1

You summer is about to get looted, but you won't even flinch about it.

Black Sails, Starz's Original TV series, set twenty years prior to Robert Louis Stevenson's classic 'Treasure Island', is a short, eight-episode sensational adventure/drama mini-series, featuring Captain Flint and his pirates, which took place on New Providence Island and its surrounding sea.

Unlike the disastrous start of another Starz Originals, "Da Vinci's Demons", which had some catastrophic post-productions issues earlier on Season 1, Black Sails had earned its growing affluence by securing a group of talented actors and filming with detailed, vivid scenes, as though the life of pirates had been revived decades later.

The whole series, which spun around Captain Flint as he forced his way into the hunt of a Spanish treasure galleon--Urca de Lima, based in the goodwill of Spanish Gold and the promise of a well offed life, was filled with unceasing lies and murders. It was also during the period when New Providence Island faced the imminent threat of being overtaken by the England, provided it wasn't overtaken by the harbouring pirates first.

Without saying, the show had managed to steer itself into loosely regulate boobs, sex, and blood-spilling scenes as seen in most cable shows. Black Sails didn't take it too far though. It had excelled in portraying the pirates' daily life without abusing its freedom in involving adult contents.

Other remarkable characters, such as Eleanor Guthrie who control the island's trade and swore an awful lot, Captain Vane who turned its back against his old lovers, Anne Bonny who I had no idea what she was doing, fueled up the life on the tropical island as much as Captain Flint was away on his ship chasing his crown.

Truth to be told, I haven't read 'Treasure Island'. But I'll be reading it in the coming weeks (currently finishing off Thomas Harris' 'Hannibal' and 'Hannibal Rising'). I knew nothing about 'Treasure Island', or Captain Flint, or his pirates, but nonetheless, I've enjoyed the show very much. And I have also learned one thing from the show.

Captain Flint is bad. And he's not just, bad, he's also a murderer and a psychopath. He seeks vengeance and fortune at all cost, even if it meant the life of his crew. He has no planning other than following a blind lead. He has no real power other than delegating and giving orders. He has an ego deeper than the ocean, and he has a heart darker than the skin of those African Americans working under his command.

Overall, the show never had a boring scene. It carried an unique momentum that created motions and responses. The transition from one event to another is crisp and clean, it solved mysteries as way as creating problems. The cinematography of Black Sails is phenomenally well done, the clear blue water and exceptional props design had given the show an authentic slice of piracy at that time. Although some CGI occasionally "empty" the scenes like those cutscenes in a video game, it wasn't really that much of a problem at all considering the intense plot rush alternating between the sea and the island.

The only thing I want to see more now from Season 2 of Black Sails, is how Captain Flint could rebuild his reputation and regain the trust from his crew once again, and that he could survive long enough to make it back to New Providence, to solve that sovereignty issues.

I hope Captain Flint in 'Treasure Island', after 20 years of struggling in the sea, would be a different man. Though we as people don't change much, right?

SumFought: 24: Live Another Day Episode 4

24 is back. Jack is back.

The same progressive 1 hour episode returns with a hot topic on its plate. Drones. And Jack, while doing what he's good at, have to fence off military intervention and cope with the CIA.

More gun play and explosion, more blood and fear. Jack is going back to where he came from. It's just so confusing to see Jack trying to prove something, while not telling the truth at the first place. So he went round and around, going in circle, eventually the cat fight is over and he's the one to blame for all those destruction left after his wake.

However, Jack knew stuff we don't. He's always prepared for the mission. He knows everything about the environment he is in. He makes snap decisions and improvise on where he is. Sometime he gets confused and disorganized but soon he picks up the rhythm and flows with in. Jack is ruthless, that's for sure, but he knew what he is doing. That's better than most of us. He always comes into a situation prepared, and he wouldn't hesitate if something went south on his plan, because he knows if he sticks to the original plan, he would end up in a very difficult situation. Jack is versatile. He knows his strength and his weakness. He cares about people too, but sometimes he just has to make decision based not only on life or death, but the overall situation.

We see riots in 24, and that's nothing new. But riot are often presented in a way that's so brief, it has only taken on the act itself, but not the deeper meaning behind. Sure, people revolt, police arrest. It's a vicious cycle that never ends until we have found a new way, a peaceful, non violent way to protest and express our concerns.

I hate that boss figure in the cyber ring. Nobody wants to work for someone like that. But sometime we just have to work for someone you don't like. Maybe it was for the best, so that we can take that anger and discontent, and convert it into motivation and energy. Though most of it would go into fights and arguments and hatred.

The military always carry a weight in 24. The soldiers are rigid but discipline. They obey orders and execute them swiftly. Although most of the time their actions were seen as stupid and inconsiderate. The show didn't show how urgent a call has to be made every time something disastrous happened or was about to happen. It always give you this kind of feeling that the commander is an utter nut and those under his commands are useless bagages.

Also. How to convince someone to trust you when you first meet him/her?
Jack: Right now the point is that I believe you. From anything that i could see, no one else does. You want to clear your name? I am your only shot.
Create a sense of urgency, give them no choice but to believe you because you give them your trust, give them the idea that you'll vouch for anything he does. Because why we are in danger, we need an ally, anyone would do. Just someone to die, or fight along your side.

24: Live Another Day is short, it's simple, it's tense, it's bold, it's jack.

SumFought:
Game of Thrones Season 4 Episode 7 Mockingbird

[Warning: Strong Language]

I have only one woman in my life. Your sister.

Sure, Game of Thrones is a mess, an essential mess that combine every sorrow imaginable in the most desperate time. And today's episode is no exception.

In the opening scene we have Tyrion Lannister at jail in pleasant clothes. The whole idea of trial by combat had now got up to his chin that he couldn't even speak up with Jaime Lannister. The alleged killer of king Joffrey, though, had some luck in finding a trial buddy, Oberyn Martell, the bad bad playboy, so to speak. But it wasn't unexpected. Well, who expected life to be easy and cheesy like films anyway?

Tyrion, to be fucked.

And then there was the not so father and daughter combination riding horses on the road. One black, one white, what's the meaning of this? Black is evil and white is pure? Then I suspect the horse Arya Stark will soon turn bloody as she continues her killing spree. It seems like once she got blood, there's not stopping here. Maybe she was a born killer, maybe the fall of her family and the man besides her changed her perspective of the world, maybe she just think the Sting she has(for now) give her the power to kill(possessed artifact, maybe?). The Hound, on the other hand, expressed fear that was previously hidden. He kills and he barks, but he didn't want to play with fire. And it's very possibly because of the burn on the upper left half of his face. Why else would he avoid fire as though it was a kid.

Arya, fucked up.

Khaleesi was the only who had a moment of joy and lust in today's episode. But Mr. Mormont wasn't happy, partly because he didn't like Daario Naharis in the first place, partly because he didn't have the gut to say what he truly wants from Khaleesi. And seems like her plan to free slave would have to take a bit of detour from slaughtering the Masters of Yunkai.

Khaleesi, fucked, hard.

Sansa got a kiss from the old man, who's about the age of his own father, might as well as her sugar daddy for now. Ew. Anyway, Sansa slapped Robin, like the slap landed on Joffrey. Well done girl, all grown up.

Sansa Stark, pretty, fuck up.


Now let's move on to the big stuff. What have we learned from today's episode?

  1. For starter, karma is a bitch. It's a concept used and reused, but we never got tired. It's so common that we relate to it even without one line of the script saying that thing. But Game of Throne took it too far, and they just have to say it. Karma is a bitch.
  2. Next, don't build a death well at your own castle, better yet, don't stand around it. Convenience might also means exposing yourself as an easy target. You are making a loophole for yourself to be a potential target. Just like sticking your 7 inch wallet out of your pocket and flashing that 10 inch smartphone in your hand on the street, that's just as well as asking for trouble. Don't say I didn't remind you when you fall down and land on the rocks.
  3. Also, when your friends treat you like dirt in a life and death situation, seek help from those you don't expect to help. Remember, you are the one who has nothing to lose now, your death wish is just as good as a vault full of gold. You enemies want you dead, but not by other hands. They will keep you alive, just as well as torturing your to death. That's the essence of the Game of Thrones.
  4. Again, slap those who needed it(Only children are applicable). Especially from an immature girl to a disgusting boy. A slap doesn't mean hatred alone(sometime it does), but also love and care. A slap is as powerful as a curse, only a curse hurts more when applied precisely at a person's most venerable hour. 

Bonus: When you see a woman naked in bare skin, don't go away. Stare at her, don't let her gain the upper hand. Let her feel embarrassed, agitated.(Disclaimer, this does not apply to man or household members at any time)

SumFought: Primal Fear

Aaron is played Roy, but who's playing Roy? Edward Norton of course.

Martin Vail, the man at the peak of his career, decided that he would do what he wants instead of what he needs. He took the case when he first saw Aaron running away from the cops on live television. He knew it was the case he would be spending a lot of his times on. But little did he know, it was not the simple game of ping pong, nor the logical assumption and deduction.

Amidst the whole trial, there were other events happening that supported the characters' development. Vail with his previous client, Vail with his supporting staff, Vail with Venable, Vail with Alex. All of it contributed to the story as well as the characters, making it even more of a real time progression than a snippet of the trial.

There was one scene that really brought me in. It was at about one fourth of movie, when the trial began. It was not the conventional opening sequences at the court, showing each sides pacing around in the courtroom and giving out their statements and what not. It was a interesting mix and cut, which mixed the visual of the news on tv while playing the voice from court. That along had reduced a lot of foreplay on court and cut away a few good seconds of useless introduction.

The struggle, for Vail, is that Aaron didn't give him a case strong enough. He barely knew Aaron, though he came in strong and forceful. He wanted to be the one with the power, to be the one who control, and manipulate Aaron's life. Maybe that joke he said to Jack Connerman at the bar was true, why gamble with money when you can gamble with people's life? He also said he believe in good and bad, but he couldn't figure out why good people would do bad things. And this bugs him. Maybe this is a general idea that is represented both in the movie and the real world. In the movie, what the Archbishop did was surprising to the public, because people believe in the Catholic Church, they believe in God and they believe in the goodness and kindness of the Archbishop. But the truth was as unsettling as him getting killed.

Now let's talk about Aaron, or Roy, or whatever that was in the body of this person. There is not a bit of good or bad inside him. Aaron is as good as Roy, and Roy is as bad as Aaron. Maybe Aaron is played by Roy, and Roy is played by another personality. But one thing is certain, whoever killed, is the killer. He did not suffer from the other personality, rather he created these shadows that engulfed him, because he was weak in spirit and mind, because he grew up in a traumatised environment. Who doesn't, though? A prince grew up in the same world as well as we did, sometime we just haven't look far enough, into the cosmetic level, to realize what happened to us doesn't justify what we should react. We are easily manipulated, because we are fragile. We are seeker of companionship, as well as other animals. We mate for a reason, and we survive for a reason, but that reason is not for God, or to believe in wrong or right. Our existence is the defiance to the outside force, and we triumph in our timeless achievement for a moment of whitewash glory, just for the sake of repetition.

I think the movie want to talk about the authenticity of this kind of mental sickness. Do we really have some kind of psychological problems like the multiple personality disorder, or did we just invented it because it is so convenient, so handy, to refer to something that shared similar symptoms with a name.

It is also about ego and pride and selfishness as presented by Vail to Venable. People could not bare to risk a bit in gaining an advantage over another. Vail seeks victory and triumph, even though he disdain press and fame--the product invented for celebrity.

Vail came in with a briefcase and a coat, and he left, also, in the same fashion.

Primal Fear, a name that doesn't justify the film. But I haven't read the book yet, so I won't say anything.

SumFought: Hannibal Season 2 Episode 12 Tome-wan

At the end of the last episode, we had reunited with our very own in house investigator Freddie Lounds, who was resurrected from a certain staged death, as a minor surprise and the material to fill in the crack of Will's weird behaviors in the last few episodes. But today's episode was even better, the brief appearance of Dr. Maurier in the interrogation room seemed to reveal the game Hannibal has been running. And that means, the end is near (Season Finale next week). I suspect Alana Bloom will suffer from her earlier mistake in trusting Dr. Lecter, and become the human sacrifice for Will, in order for Will to ascend to the friend Hannibal have always wanted. But maybe, just maybe, Jack Crawford of the FBI will stop Hannibal and eventually bring us back to the opening scene of Episode 1 of the season, where Hannibal strangled Jack to death--at least it was presented in such a way.

However, the outcome could be different, drastically different, if not for today's episode, Tome-wan.

Tome-wan is a closure to the previous few episodes surrounding the Verger siblings. And it is also where things starting to get interesting. Hannibal in this episode seemed to be reckless, like a pig walking on a thin line. His arts in knife and close combat had both failed him, and led him into a difficult position. Yes, he killed in this episode, although in an entirely different manner. Dr. Lecter is an intelligent player, and he used his environment to his advantage. He used the pig maze, he used Will, he even used Mason Verger, just because he could predict the future of things. Why not? I'm just glad that the Verger's chain event is coming to an end.

Ole Crawford is all work and no play. Old Crawford is all work and no lay. O Crawford is all fork and no ply. Jack Crawford is still controlling Will. Their relationship is like an old police sergeant to a long time undercover cop. Jack cared too much about what's not present, and missed what's in front of him. He is risking everything, even Will, who he had hurted multiple times, to complete what he couldn't. Jack Crawford could be Jack Coward, if you will.

And here is why I think Crawford won't die. Dr. Lecter's special twist close to the end of today's episode. Based on his expertise, he had carefully measured Mason Verger's neck before applying an calculated outside force, thus leading to a misrepresented death. It was not until later when agent Crawford went to visit Mr. Verger at his deathbed, did I know how naughty Hannibal had been. Dr. Lecter is still playing us.

Sadly is the missing appearance of Dr. Alana Bloom. She had not been featured in the most recent episodes after her flirtatious affair with Dr. Hannibal. Maybe this is another hint of her role in the season finale, as mysteries and gruesome killings continues to infest the show, in a good way.

Hopefully, season 3 would be a closure, another well written, paced, and defined show of modern Television.

P.S.

Hannibal should be a part time cook at a restaurant, or just make his home space a makeshift dinner party. His delicacy in food, his passion in flavour, and his commitment in presentation, is just pure pleasure. I wish Hannibal was a TV show teaching people how to cook (not necessarily using human as ingredients).

SumFought: Red Dragon by Thomas Harris


Hannibal Lecter M.D. in Red Dragon is a dangling accessory, he didn't posses the power as seen in NBC's "Hannibal", or did anything frightening creepy. He aided the cause of violence, yes he did. He manipulated those who admired him, yes he did. He laid a curious eye on Will Graham, yes he did.

But after watching the re-imagined TV prequel, "Hannibal", I found the Hannibal in Red Dragon was hiding in a subtle corner, waiting as a predator, ready to strike. That's what scared me, I wondered what will happen next when I continued on the story about Dr. Hannibal Lecter.

Most of the reading was easy, though teeth weakening and heart clenching at times, when the Dragon struck. The violent, described in gore, written in blood, had violated even the distanced reader. Thomas Harris didn't hide behind the curtain and tell you what was happening in the shadow. No, he tells you exactly what actions were taken and what drastic measurements and delusional thoughts were in the characters mind. His vivid portrait and the uncensored description unveiled the ugly truth for you, so you, the reader, can stay at a safe location, reading it with him.

Though I find it a bit distracting when it comes to the backstory of the Dragon. It just came out of nowhere, seemed a bit force feed, and carried little value in describing it for such a long and dull length. Yes, it certainly created a slower pace before reaching into the little climax of the story, which I think has several, before leading up to the final confrontation between the Dragon and Will.

By the way, Will is still as weak and vulnerable as in the TV series, that I'm glad Bryan Fuller had taken full control of the prequel. And yeah, Dr. Frederick Chilton is a bit itchy to read.

Also, since I haven't read anything about Hannibal, I was a bit disappointed when Alana Bloom and Freddie Lounds were replaced by Alan Bloom and Freddy Lounds. Again, I'm glad Bryan Fuller had decided to include the female elements in the TV series.

Little off topic there, but all in all, Red Dragon is a book to be forget, but rediscovered, time after time.

SumFought: Hannibal Season 2 Premier

The best psychopath thriller is now back on TV every Friday Night on NBC at 1o PM. You can catch it on Hulu for free like most NBC shows.

So, Will Graham is back, and the same is with Dr. Hannibal Lecter. And just as I was watching the premier, I suddenly realized why they named it Will, or at least I think they did it because of the pun. It was from the dialogue between Agent Jack Crawford and Dr. Hannibal Lecter.


Dr. Hannibal Lecter: "We can't define Will only by his maddest edges."

Agent Jack Crawford: "We can't define Will at all."

See what they did there? They're putting a larger ideology into five seconds, on TV, that flashes and possibly goes down the drain without even seeing the light of day. Which also lead us to the artistic style, the cinematography that the show Hannibal continue to adopt. The darker and dim color, a world portrayed as a lifeless environment, only a specific bunch could exist under the focused lens. And it also brought up the blurred background and the impressive post-production.


And while Will was still imprisoned and much desperate to liberate himself as he drew closer to the lost memory of Hannibal, he continued to help the investigation just as the previous season, though in a much less comfortable position as a presumed psychologically insane.


And since it's the premier of season 2, the show again, displayed its intrigue sequence and unconditioned love to violence and blood and gore. It was the opening scene where Agent Jack Crawford fought against Dr. Hannibal Lecter. And man, isn't it just great to see them hit it off and bring it down to the fists and knife and tie and let the unsolved begone and resolve the hate in a mash of blood?


And if you had been following Hannibal season 1, you'll notice that the delicious foods prepared by our very own Dr. Hannibal Lecter continued to shine and twinkle. The guy who prepared these food backstage, behind the camera absolutely deserve a big round of applause. (I don't think Mads Mikkelsen, the guy who plays Dr. Hannibal Lecter could pull it off all by himself). It must be someone with extensive knowledge of food, either by research or gathered from travel.


And, if you are not with Hannibal for the last season, a huge chance is that you will miss quite a bit of information before Will was locked in a cell. But if you are intrigued merely by the violence, then welcome to the feast, Hannibal.

SumFought: What The Eye



So, apparently people's been making an educated guess and blaming the TV and computer screen for causing near-sighted in children.

But the scientific findings explained to us on the above video is quite a shocker.


And the truth is that none of our parents had the slightest idea of what and why we were near-sighted, thus creating this big fat web of lie about the harmfulness of the TV and computer screen on us. Just like they lied to us about great many other things. Such as [fill in the blank].


So, happy? Now you can spend all your time watching TV and staring at your computer screen without feeling guilty that you are the one ruining your eyes. But isn't it why our parents lied to us in the first place, so that we could get away from the electronics and run into the nature's embrace?

SumFought: AMC - The Walking Dead Season 4

AMC’s The Walking Dead is slowly dying, from the inside.

When the show first came out in 2010 and received some decent views, it was great, more like a mini-series hit.

Then when it came to season 4 this year, everything changed. Change is good, mind you, but a show about the end of the human population going on such an uneven pace, exposed its fatal wound to the world-the story.

The cast and characters are great, the acting I can’t say much about. For a walker dominated world, survival is vital. But people died, and so did the show. They don’t have too many time for the epic tale to go on, too many time spent on one character and then suddenly, he or she was dead, but that didn't create such a emotional drive for the audience, the effect is not as great and as unexpected as Game of Thrones, certainly the character held less of an importance, and because we all knew, sooner or later, they would die, somewhere, somehow. It just couldn't make us care more.

The latest episode 8 in season 4, it tried to recreate the what the media called The Red Wedding from Game of Thrones, but people, these are totally different things. Yes, there were massacre in both shows. However, we should not compare the two, they are different. And sure The Walking Dead did not deliver the same amount of thrill, mostly because it dread on the story of the Governor and thus, made it even worse.

How will it goes, no one knows except the writers of the show, but one thing is for certain, walker must die, and so will the characters.

I guess the saying is true:

“You Either Die a Hero, or Live Long Enough to See Yourself Become the Villain.”

Including a queer character such as the Governor, a psychopathic agent of violent other than the mindless zombies is not a bad call, but the execution in telling the story of that, downplayed the cinematic effect just for that insanity.

The pacing was extremely dreadful like a slow death, maybe the creators are trying to achieve it, and certainly they did, but what is the motive? Is there anything exciting coming after the mid-season, or would it be the same boring tell-tale of the big bad Governor taking on a bunch of survivors? Was it worth it to waste the whole season to create something that might not even be much a hype?

The end is but a crumble, just like the season 1 poster for The Walking Dead.

SumFought: CW - Arrow Season 2

CW’s Arrow redefined the superheroes genre on TV.

After a ordinary epic opening of season 1, It still has the best fighting scene ever for a TV show about the Green Arrow Oliver Queen. The motion and sound effect is solid and presented in such a flow that you would force yourself not to blink even if it hurt your eyes. It's that good. With the purposeful dim lightning and misty setup, it give out a scent of The Dark Knight, and could potentially be the template for action-based TV shows on similar themes.

The story is instant classic, heroes do good deed and fight bad guys, that’s how the genre works. However, this one isn't straight up just happening in the present, but with a mix of the past that haunted the present. Memories could be scary, though revealing at times, and help solidify the episode in a remarkable way. Expect the unexpected.

The cast of Arrow is great, just look at the two muscle men fighting and showing off their bodies, ladies would scream and guys would get jealous. Though in particular, the girly assistant Felicity Smoak, portrayed by Emily Bett Rickards, stole the camera with her strong personality.

The story progress okay, you would kick back and enjoy most of the time, especially the fight scene if I hadn’t stressed enough. But at times, there are moments lack motion, lack the flow, it usually happens at the side story, so don’t worry about its air time.

You could laugh at the stupidity of the heroes, and laugh with some decent gag lines. Still, it is a superhero's episodic play, you know what you are in for.

You can catch five of the most recently aired episodes on Hulu, or six if you go to The CW. It could be the best action-hero TV show, yet.

SumFought: BBC America - Orphan Black 2013 Season 1

BBC America’s Orphan Black was truly the dark horse of the year.

It came to the audience so suddenly that people were taken away by it. If you like seeing one actress being multiply characters at once in a show, then you will love Orphan Black for it magnificent actress Tatiana Maslany.

I like science fiction shows, and this one involved clones to the max. Never before had I seen such performance done by one in a show, and it completely blew me away as well as the others.(the next one is you, stop reading this and check it out)

The story is solid. It started off as one, then expanded into two, then as it progress, more characters were introduced for good purposes. It was a clever decision to include those character with different style, it differentiated each clone from the others, and also added more fun to the show itself.


There’s unusual character settings and the story’s not dead serious, it’s funny and living and energetic, sometimes it gets dark and bloody with a layer of sweet revealed later in the show.

Well, most of all, the style of the characters defined the show, either a punk girl, a soccer mom, a German? And many more are interesting enough to keep you from not watching.

Be warned, the clone club is expanding next April.

Sadly, it's BLACK enough that there's no legal way to watch it for free online. But you can find it on Amazon, iTunes and Google Play with a small price.

SumFought: NBC - The Blacklist 2013 Season 1

NBC The Blacklist started off easy and tricky.

Every episode is a criminal apprehended, a crime/case solved(a name on the list crossed), and combined with the brilliant performance of a great cast, adding the characters’ struggle and mind games and clues planted at times, it's pretty much what the Blacklist presented itself for now.

If you are coming for special effect and big, dramatic scene, it will disappoint you utterly. I don’t understand why couldn't they push the post-production a little bit harder but hell, it was just a few seconds in some episodes. (Budget gone to the mega cast?)

Much like other shows presented in a ‘case-of-the-week’ format, like ABC’s Castle, every week was a fresh start, you can just drop in and drop out without knowing much of the main plot(character story for the whole show) or side plot(character story for that episode).

But the thing is, when the list ran out of names to fill, would it be the end? Or would it try to pull another stunt like that in the first episode and bring surprise to us?

So far, the crime in every episode was the highlight of the show, nothing ordinary about it there, the details and revealing process were done exceptionally well. It’s more serious than Castle but still, entertaining at its own premises. More doing, less juggling.
It’s mysterious, it’s brilliant, it’s surprising.

It’s my kind of show.


You can catch the latest episode for free on Hulu and NBC.
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